In the film La Règle Du Jeu, there are themes of criticism amongst the upper class, social satire and irony, and a breakdown of social order. The character Le Général (Pierre Magnier) exemplifies these themes perfectly through dialogue especially in the last line in the entire film “La Chesnaye has a touch of class. And that’s a rare thing nowadays, a rare thing.” The last line of a film holds significant weight as it serves as the final impression that lingers with the audience as they leave the theater or finish watching. This concluding dialogue often encapsulates the overarching themes, messages, or character arcs, leaving a lasting emotional or intellectual impact on the viewer.
This concluding statement encapsulates the film’s critique of the superficiality and moral decline within the French upper class. By acknowledging the rarity of genuine class and sophistication, Le Général’s words serve as a reflection on the loss of traditional values and authentic human connections in contemporary society. The line underscores the film’s central theme of the breakdown of social order and the erosion of genuine moral integrity among the privileged elite. The satirical irony that follows along with this final line underscores the film’s broader critique of the superficiality and moral decay prevalent within the upper echelons of society. It suggests that the concept of “class” as traditionally understood does not necessarily equate to genuine moral integrity or authentic human connection. The characters’ behaviors and interactions demonstrate that their social status and refinement do not exempt them from displaying callousness, deceit, and selfishness. The irony in the word “class” also highlights the film’s exploration of the complexities of human relationships and societal norms. It underscores the idea that true “class” is not merely a matter of external appearances or social standing but encompasses a deeper sense of integrity, empathy, and authenticity. The characters’ lack of these qualities despite their privileged positions serves as a powerful indictment of the superficiality and lack of morals within their social stratum.
Works Cited
Brooks, Charles William. “Jean Renoir’s The Rules of the Game .” JSTOR, Duke University Press, autumn 1971, www.jstor.org/stable/285986.
Straw, Will. “Introduction.” Screen, vol. 52, no. 1, 2011, pp. 78–81, https://doi.org/10.1093/screen/hjq057.
The Rules of the Game. Directed by Jean Renoir, Nouvelles Éditions de Films, 1939.
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